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Spoilers Since 'Hable con ella' ('Talk to her', for which my summary line was 'Almodovar mellowing?' ) which some consider Almodovar's best, his fans have been looking forward to his next one with great expectation but also some apprehension as to how could he possibly tope it, in the sheer ingenious creativity, if nothing else.

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Bound for Cannes release, Bad Education soon demonstrated that the apprehension is not unfounded. It is, after all, not easy to surpass the achievement of Hanle con ella. Undoubtedly still Almodovar, Bad Education however is Almodovar melodrama, a little short of Almodovar masterpiece. The film opens with attention grabbing, definitive music (regardless of what mood) that is Almodovar's hallmark.

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Similarly, we see the inimitable Almodovar feuding colours. Homosexuality and fetishism you'll almost always expect in an Almodovar film but there is less extreme perversity and violence compared with some of his other pictures. And here comes the plot. The story of the young altar boys is told in a manuscript of a book entitled 'The Visit', which is used by one of the grown-up boys Ignacio, now a transvestite called Zahara, as a tool for blackmailing Father Manolo. But wait, all this is just in a screenplay. The story of Father Manolo and the altar boys however is real.